Wuthering Heights has stirred passions and provoked outrage since Emily Brontë published it in 1847 under the pseudonym Ellis Bell.
The story of the tormented lovers Heathcliff and Catherine Earnshaw, set against the wild Yorkshire moors, shocked Victorian readers with its raw depictions of cruelty, revenge, and unbridled passion.
Contemporary reviews were scathing; one critic described the book as appalling, disgusting, and almost nauseating due to its inhumanity and diabolical hatred.
Once it became known that a woman had penned such a fierce tale, backlash intensified, with some doubting Brontë's authorship and attributing it to her brother Branwell.
This history of controversy sets the stage for modern adaptations, proving the novel's power to unsettle endures nearly two centuries later.
The drama for Emerald Fennell's adaptation kicked off in early 2024 with the reveal of Margot Robbie as Catherine Earnshaw and Jacob Elordi as Heathcliff.
Fans immediately criticized the choices, pointing out Hollywood's overuse of familiar faces in prestige projects.
More pointedly, Robbie's age—35 at the time—clashed with Catherine's youth in the novel, where she is a teenager during key events, dying shortly after childbirth around 19.
Elordi's casting as the dark-skinned, racially othered Heathcliff—described as a "dark-skinned gipsy," "little Lascar," or "as black as the wall"—drew even fiercer backlash for whitewashing the character's ethnic ambiguity and marginalization.
These decisions altered the story's themes of racial prejudice and social exclusion, fueling online debates about fidelity to the source material.
As filming ramped up, whispers of on-set chemistry between Robbie and Elordi added fuel to the fire.
Reports of their close rapport, despite Robbie's marriage, sparked speculation about blurred lines between actors and roles.
The controversy peaked with revelations that Elordi penned a love letter to Robbie from Heathcliff's viewpoint and filled her trailer with roses, dividing fans between those praising it as method acting and others decrying it as unprofessional overreach.
"The elements that shocked initial critics in 1847 continue to do so today, though it's not the absence of sex that is shocking; the implication of offstage sexual activity is clear since children are born," noted literary expert Luc Miller in a recent discussion.
Fennell's bold choices, including explicit content and structural overhauls, promised further division.
By mid-production, details emerged about Fennell's audacious script changes, stripping away half the novel's narrative frame, including the outer story after Catherine's death.
Characters like Nelly Dean and Edgar Linton were recast as outright villains, simplifying the plot into a lovers-torn-apart tale rather than the book's messier exploration of generational tragedy and vengeance.
Mr. Earnshaw and Hindley were merged into a single abusive figure, diluting longstanding tensions.
Casting Shazad Latif, a Pakistani actor, as the privileged Edgar complicated racial dynamics further, as Heathcliff's jealousy loses its edge without clear ethnic contrast.
At the premiere, Robbie's choice to wear the historic "Taj Mahal Diamond"—with its controversial provenance tied to colonial history—drew accusations of cultural insensitivity.
Fennell's track record, fresh from the provocative Saltburn, heightened expectations of eroticism and shock value, mirroring the novel's enduring provocations.
Experts remain cautiously optimistic, emphasizing that any adaptation must stand on its own while grappling with Brontë's unflinching vision.
This timeline reveals how Wuthering Heights controversies blend timeless novel shocks with fresh adaptation debates over casting, behavior, and creative liberties.
From 1847's moral outrage to 2026's cultural clashes, the story's wild spirit continues to divide and captivate.
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